CHARIS BOOS
Looking for Shorty’s Cabin
All morning the cabin
kept jumping up the mountain
just out of sight,
kept jumping up the mountain
just out of sight,
its walls stacked with tins of food
and stories to last through the winter.
After lunch
and stories to last through the winter.
After lunch
I came to a field where rocks
stretched out between the pines
and there stood a buck, taller than me.
stretched out between the pines
and there stood a buck, taller than me.
Two branches of horns faced me,
rooted to the spot. We grazed
each other’s thoughts across the clearing.
rooted to the spot. We grazed
each other’s thoughts across the clearing.
Around us, mariposa lilies
drank the melted snow
and pushed their buds toward the sun.
drank the melted snow
and pushed their buds toward the sun.
The End of the Line
Once, Constantine brought me to Brighton Beach
to eat tongue and drink carafes of vodka.
to eat tongue and drink carafes of vodka.
But most of the time,
I ride to the end of the line to come to Coney Island.
I ride to the end of the line to come to Coney Island.
The Cyclone is America’s oldest wooden roller coaster.
Not the fastest or the highest. It doesn’t loop-the-loop,
Not the fastest or the highest. It doesn’t loop-the-loop,
but wobbles and creaks
and when it comes to the end
and when it comes to the end
the tattooed guy who’s so big he’s got six legs –
two he was born with and four little metal ones
two he was born with and four little metal ones
welded to the stool his ass has grown over –
cranks the lever to stop the ride
cranks the lever to stop the ride
and smiles at me, as if to say, Lucky.
Listen to Charis Boos read ‘The End of the Line‘
Walls
1.
Behind every wall is a story
possible only because of the wall
possible only because of the wall
like the silhouette of a lover
undressing behind a screen.
undressing behind a screen.
2.
In the forest is a forgotten
wall, built by forgotten men
wall, built by forgotten men
who know a lithic grammar
and can parse every stone they lay.
and can parse every stone they lay.
3.
I build a wall
on the blind river’s bend,
on the blind river’s bend,
hang time on it
like ceramic ducks,
like ceramic ducks,
imagine you
playing the piano
and the blind river humming home.
playing the piano
and the blind river humming home.
ABOUT THE AUTHOR
Charis Boos was born in America in 1979. She was a member of the 2008 MA in Creative Writing class at Victoria University. She lives in Auckland, where she teaches Latin and Classical Studies.